Yuksimak satu materi stand up comedy Raditya Dika, yang epic banget, tentang serba-serbi resepsi nikah. Hallo semuanya . Nah ngomongin resepsi nikah, gue tuh pengen yang sederhana. Abis gimana ya, gue tuh orangnya simpel. Gue gak pengen nikah di hotel mahal, segala macem bayar berapa gitu, gak pengen gue. Kita menikah gampang-gampang aja.
JAKARTA, - Komika Raditya Dika mengaku sering merasa materi stand up yang dibuatnya tidak lucu. Oleh karena itu, Raditya Dika selalu berlatih sebelum tampil dan membacakan materi yang dibuatnya. Raditya Dika bercerita, sebelum mulai menggelar event stand up keliling Indonesia, ia melakukan percobaan untuk mengetes seberapa lucu materi yang akan dibawakannya.âSering banget sih enggak lucu. Aku tuh kalau mau stand up, mungkin kang Sule nonton kali ya, stand up comedy yang paling gede itu SUCRD 2019,â ujar Raditya Dika dikutip di kanal YouTube Sule Channel, Rabu 28/4/2021. âItu background-nya hitam, aku pakai baju putih. Itu paling banyak orang nonton. Untuk bikin itu aja, aku tuh pertama nulis dulu. Aku udah yakin enggak lucu tuh,â kata Radit lagi. Baca juga Raditya Dika Kesal Istrinya Juga Kucilkan Penyintas Covid-19 Oleh karena kebetulan mamanya dosen di UI, Raditya Dika izin menggunakan auditorium tersebut untuk mengajar penulisan buku. Ternyata di balik niatnya mengajar, Raditya Dika ternyata menguji materi stand up yang sudah dibuatnya di depan mahasiwa. âTapi sebenarnya pas lagi ngajar kelas nulis, aku minta izin 'gue mau stand up comedy, gue mau ngobain materi gua yaâ. Jadi cuma setengah jam ngajar sisanya nyobain materi stand up karena aku udah tahu enggak lucu. Jadi diselipin di acara lain.â kata mecoba stand up di depan mahasiswanya, Raditya Dika banyak menerima pendapat. âTesting materi kayak pakai partitur. Aku bacain beat pertama oh gak lucuâ. Makasih yaâ. Akhirnya coret. Jadi aku tahu mana yang enggak lucu. Akhirnya di rumah, kan aku rekam juga. Bagian yang ketawa aku edit digunting-gunting yang lucu itu jadi materi utuh untuk dihafalin,â ucap Radit. Baca juga Sikap Raditya Dika yang Buat Istrinya Kepincut, Ternyata... Setelah menghafal materi itu, Raditya Dika baru memberanikan diri untuk tampil di acara stand up yang digelarnya. Kemudian, Raditya Dika menegaskan bahwa ia kerap tak lucu saat awal menulis materi stand up. Oleh karena itu, Raditya Dika selalu latihan atau testing materi agar penampilannya bisa dinikmati penontonnya. Baca juga Iri pada Raditya Dika, Pandji Pragiwaksono Duit Lebih Banyak, Rambut Lebih Bagus Dapatkan update berita pilihan dan breaking news setiap hari dari Mari bergabung di Grup Telegram " News Update", caranya klik link kemudian join. Anda harus install aplikasi Telegram terlebih dulu di ponsel.
Terimakasih telah mengunjungi blog berbagi teks penting 2020. Sekian penjelasan yang bisa admin berikan mengenai teks stand up comedy terlucu singkat. Contoh Teks Stand Up Comedy Singkat Terkait Teks Bagi kamu yang lagi bingung cari materi stand up comedy lucu, naskah stand up comedy terlucu, bahan stand up comedy, teks stand up comedy, materi
Di antara kamu pasti ada yang bercita-cita menjadi seorang komika. Tentu jam terbang sangat mempengaruhi apalagi jika kamu menginginkan menjadi komika yang profesional. Baik full time komika atau yang sekedar mengisi waktu, perlu banget mempersiapkan materi yang cocok dan pasti akan peeecaaaaah di panggung. Yuk simak satu materi stand up comedy Raditya Dika, yang epic banget, tentang serba-serbi resepsi nikah. Hallo semuanya ⊠Nah ngomongin resepsi nikah, gue tuh pengen yang sederhana. Abis gimana ya, gue tuh orangnya simpel. Gue gak pengen nikah di hotel mahal, segala macem bayar berapa gitu, gak pengen gue. Kita menikah gampang-gampang aja. Alfamart Penjanten ayo. Gak apa-apa. Parkiran gampang, makanan abis ada Markobar, udah kelar kan? Ada orang masuk, nyokap gue salaman, mau sekalian isi pulsa kan gampang. Ada bisnis tambahan, ada bisnis sampingan. Cuman gak bisa. Gue ngerasa gampang tapi orang sekitar gue gak. Gue cerita ke temen gue kan, gue nikah di mana ya. Seorang kaya elo masa nikah di ⊠lah kenapa jadi harus ada beban yang mengganjal hidupku ini. Akhirnya gue booking lah di hotel A. Gue liat tempatnya, gue keliling-keliling. Esoknya, ditanyalah sama temen gue jadi nikah di mana. Nah, si dia malah. Masak cuma di hotel itu? Lah gue jadi bingung kan ⊠baim harus gimana ya Allah⊠Untungnya, ada tanggal kosong di Hotel Ritz Cartlon, hotel bintang lima, gara-gara ada pasangan gagal nikah. Jadi lah gue menikah diatas tangisan orang lain. Hahaha. Mulailah gue nyari-nyari kan terus temen-temen gue mulai kasak-kusuk gitu. Kawinan lo harus bagus. Seorang kaya lo harus ⊠diem lo. Gue skaklah temen gue. Gue akhirnya ngikut temen gue kawinan kan, ya Allah ternyata dijudge sedemikian rupa. Gue jarang ikut kawinan ya. Begitu gue dateng, gue ngeliat betapa pedasnya mulut orang Indonesia. Hahaha. Nyobain makanan satu-satu, gue gatau ya lo kaya gini juga apa enggak, karena ternyata mereka menilai dari makanannya. Nyobain makanan, gue inget banget waktu itu ada siomay. Ih, siomaynya gak enak. Pasti dari ikan sapu-sapu. Ini kawinan orang. Lo dateng syukur kenapa lo hina-hina? Wah gila gue stress banget, kawinan gue gimana nih. Terus dateng lagi ke kawinan orang. Terus temen gue bilang. Ih liat deh makeupnya.â Kenapa? Kaya ani-ani. Ya Allah⊠jelek banget gitu kesannya. Wah gue stress dong, gue gimana nih. Akhirnya gue bilanglah ke calon istri gue. Gue bakal nyariin MUA yang terbaik. Katanya makeup yang baik itu yang bisa bikin orang pangling. Bukannya itu malah membingungkan semua tamu? Ketika gue nyalamin tamu, terus gue nengok. Kamu siapa ya? Siapa perempuan ini? Ternyata di balik indahnya resepsi nikahan orang, mau nikahannya mewah atau sederhana, pasti ada serba-serbi resepsi nikah yang mengundang hujatan pedas netizen. Tema ini bisa banget kamu angkat karena udah tentu pasti relate dengan kehidupan nyata. Demikian materi stand up comedy Raditya Dika yang epic banget, serba-serbi resepsi nikah. Semoga kalian terinspirasi.
Materistandup comedy.Pelawak tunggal, yaitu salah satu genre profesi melawak yang pelawaknya membawakan lawakannya di atas panggung seorang diri, biasanya di depan pemirsa langsung, dengan cara bermonolog mengenai sesuatu biasa stand up comedy disebut pelawak tunggal, komik, komika, (bahasa inggris : Mulai dari tingkahnya di sekolah, di rumah, di tempat nongkrong, atau bahkan
- Menjadi pelawak tunggal atau stand up comedian membutuhkan materi lawakan khusus. Tidak seperti lawakan dalam sebuah grup, stand up comedy jarang menggunakan spontanitas lawakan melainkan butuh materi yang bagus agar penonton merasa puas dengan lawakannya. Menjadi stand up comedian tidaklah mudah, materi yang anda bawakan menentukan apakah penonton puas atau tidak. Di Indonesia sendiri sudah banyak sekali stand up comedian yang terkenal salah satunya Raditya Dika. Raditya Dika adalah stand up comedian terkenal yang juga seorang penulis novel dan aktor film ini coba beberkan tips dan alur pembuatan materi untuk stand up comedy. Mulai dari pencarian ide kreatif, set up hingga mencari punch line. Tertarik untuk membuat materi stand up yang bagus? Silahkan tonton video tutorial dari Raditya Dika ini. hm
2810201450 videos Play all Mix - Stand Up Comedy. Ciri khas yang paling mudah diingat dalam. Jika bosan dengan raditya dika kita bisa coba naskah stand up comedy dodit yang juga gak kalah lucu dan gokil abis. Ciri khas yang paling mudah diingat dalam. Umur 29 tahun adalah pelawak tunggal IndonesiaDzawin adalah seorang lulusan pesantren.
Kompas TV STAND UP COMEDY stand up comedy indonesia Kamis, 12 November 2020 1701 WIB JAKARTA, - Rahmat Hidayat atau yang dikenal cukup dengan panggilan Rahmet merupakan runner-up Stand Up Comedy Indonesia Kompas TV season 5 SUCI 5. Rahmet menjadi kontestan termuda di kompetisi SUCI 5 dan dikenal dengan act out dan gaya bicaranya yang khas ala Betawi. Komika yang dikenal dengan Rahmet Ababil ini kerap membawakan materi komedinya mengenai latar belakang dirinya yang merupakan lulusan STM. - SUCI 9 akan kembali lagi untuk menemani para pecinta setia Stand Up Comedy Indonesia, setelah vakum selama 1 tahun. Sambil menunggu hadirnya SUCI 9 di layar kaca, tim KompasTV akan menampilkan kembali video-video yang menarik sekaligus mengundang tawa para penonton Stand Up Comedy. SUCI akan bernostalgia melalui tayangan video dari SUCI 1 sampai SUCI 8. Tentunya dengan penampilan dari komika-komika ternama, yang pada waktu itu sedang merintis karier mereka. Untuk para pecinta SUCI yang mau request upload, silakan tinggalkan komen di bawah ya. Follow Stand Up Comedy KompasTV di Instagram sucikompastv untuk tahu informasi-informasi terupdate Stand Up Comedy Kompas TV, termasuk jadwal audisi. SUCI StandUpComedy SUCI5 Sumber Kompas TV BERITA LAINNYA
14Contoh Materi Stand Up Comedy Singkat Terlucu Dan Terbaru . Raditya Dika dan Angin Segar untuk Komedi Indonesia - Mizanstore Blog 5 Video Kocak Stand Up Comedy Versi Animasi Ini Bikin Ngakak Gila 14 Contoh Materi Stand Up Comedy Singkat Terlucu dan Terbaru TEKNIK DELIVERY STAND UP COMEDY - PDF Download Gratis Viral Video Kocak tapi Ngena ala Bintang Emon soal Corona.
Ternyata mau melucu pun perlu belajar. "Banyak orang mengira bahwa mereka bisa membedakan arti humor dan komedi". Tentu saja saya terkejut sewaktu mendengar ungkapan tersebut. Sebab menurut saya tidak ada perbedaan signifikan mengenai dua hal itu. Namun saya hanya bisa mengangguk setuju ketika ungkapan itu keluar dari seorang Raditya Dika, seorang content creator terkenal. Nah, kebetulan sekali ia membahas topik itu sewaktu ia menjadi pembicara pada hari Sabtu, 13 April 2019, di Bukatalks, sebuah acara talk show yang digagas oleh Bukalapak. Sepanjang menjelaskan materi yang berkaitan dengan tema dari Bukatalks, tetap saja saya bingung setengah mati. Hingga tiba giliran saya mendapat pencerahan sewaktu ia mulai membahas topik keresahan saya secara pribadi. Memang apa perbedaan signifikan antara komedi dan humor? Saya yakin banyak orang juga beranggapan sama mengenai dua hal itu. Tapi hanya seorang Raditya Dika yang mampu membuat persepsi saya dan teman-teman menjadi goyah sekaligus mempertanyakan ulang. Meski begitu saya masih juga belum mendapat jawaban kongkret dari sang ahli. Sebab ia masih sibuk memutar beberapa topik untuk dijadikan materi komedi. Sampai akhirnya ia tiba-tiba menghakhiri semua candaan itu dan mulai menjelaskan perbedaan antara komedi dan humor. Menurut Raditya Dika, komedi adalah sebuah teknik dalam membuat orang tertawa. Sementara humor adalah sifat alami seorang manusia. Jadi jelas berbeda, bukan. Lalu Raditya Dika juga menambahkan bahwa sifat asli seorang stand up comedian tidak berarti selalu bisa melucu di mana saja. Ini yang perlu publik tahu secara betul. Rata-rata bahkan seorang stand up comedian justru memiliki pribadi yang serius. Jadi mereka hanya akan maklum bila masih banyak orang datang dan meminta untuk melucu. Padahal menurut mereka melucu memerlukan persiapan yang cukup matang, terukur, dan terstuktur. Nah, dari situlah saya tahu bahwa untuk menjadi stand up comedia diperlukan sebuah upaya cukup keras untuk belajar dan mau gagal beberapa kali. Sebab itulah saya mencoba merangkum beberapa poin yang barangkali bisa dipakai teman-teman bila mana mau mencoba menjadi seorang stand up comedian. 1. Seorang stand up comedian wajib memiliki kegelisahan. Hal ini agar materi yang dipresentasikan oleh para stand up comedian dapat terasa riil dan menutup kesan di mata penikmat bahwa materi yang disampaikan bukanlah sebuah kebohongan. 2. Seorang stand up comedian harus mampu berdamai dengan diri sendiri. Atau bahasa sederhananya adalah seorang stand up comedian tidak boleh baper. Karena yang namanya seorang stand up comedian terkadang harus mengolok-olok diri sendiri. Atau sebaliknya ketika mereka menjadi bahan materi olok-olok teman stand up comedian. 3. Seorang stand up comedian harus bisa menulis naskah sendiri. Yang mana naskah yang ditulis itu juga memiliki sebuah struktur yang harus dipatuhi dan dijaga ritmenya dengan baik. Dan teknik itu bisa dirumuskan ke dalam dua bentuk dan tahapan. Set-up dan punchline. Set-up adalah kumpulan dari beberapa bait yang akan dibentuk atau dirangkai oleh stand up comedian untuk dijadikan sebuah tumpukan ekspektasi di dalam kepala para penonton yang memang akan dirangkai agar sejalan dengan alur yang sudah dibangun oleh sang stand up comedian. Sementara punchline adalah sebuah upaya untuk mematahkan segalam macam ekspektasi yang sudah dirangkai oleh sang stand up comedian. Sehingga hasil akhirnya agar para penikmat ataupun para penonton bisa tertawa tergelak.
RadityaDika. Siapa sih yang gak kenal sama seorang Raditya Dika ( @radityadika ) ? Seorang penulis buku, blogger dan juga seorang Comic atau Stand Up Comedian. Raditya Dika lahir di Jakarta 28 Desember 1984 sebagai "Dika Angkasaputra Moerwani". Dika mengubah namanya kelas 4 SD dan memilih nama "Raditya" untuk ditambahkan didepan namanya.
Translating humor is challenging since it is often culture-specific. This study analyzes the types of humor and the strategies used in subtitling the humor in the video Stand Up Comedy Raditya Dika 2019. This study aims to find out whether the humorous effect can be preserved in the English translation. This study is descriptive qualitative research. The humorous elements were classified based on the humor category proposed by Raphaelson-West 1989. The subtitling strategies were analyzed by using the framework proposed by Gottlieb 1992. The findings show that there are three types of humor found in the data. There are cultural humor, universal humor, and linguistic humor. The subtitling strategies applied in translating humorous utterances are transfer, expansion, and paraphrase. The findings of the study indicated that universal humor could be transferred into other languages without significant challenges since it does not include specific cultural references. However, linguistic and cultural differences may create major issues in transferring the humorous effects into the TL. The audience needs to be familiar with the source language culture to comprehend the jokes. The study of humor translation from Indonesian to English is rarely conducted. Therefore, the result of this study contributes new insight into the field of humor translation. Discover the world's research25+ million members160+ million publication billion citationsJoin for free Prosiding Seminar Nasional Linguistik dan Sastra SEMANTIKS 2021 ISBN 978-623-94874-1-6 âProspek Pengembangan Linguistik dan Kebijakan Bahasa di Era Kenormalan Baruâ 59 Humor Subtitling in Stand-Up Comedy Raditya Dika I Gusti Ayu Mahatma Agung Program Studi Sastra Inggris, Fakultas Bahasa Asing, Universitas Mahasaraswati Denpasar Jl. Kamboja 11A Denpasar Email Abstract Translating humor is challenging since it is often culture-specific. This study analyzes the types of humor and the strategies used in subtitling the humor in the video Stand Up Comedy Raditya Dika 2019. This study aims to find out whether the humorous effect can be preserved in the English translation. This study is descriptive qualitative research. The humorous elements were classified based on the humor category proposed by Raphaelson-West 1989. The subtitling strategies were analyzed by using the framework proposed by Gottlieb 1992. The findings show that there are three types of humor found in the data. There are cultural humor, universal humor, and linguistic humor. The subtitling strategies applied in translating humorous utterances are transfer, expansion, and paraphrase. The findings of the study indicated that universal humor could be transferred into other languages without significant challenges since it does not include specific cultural references. However, linguistic and cultural differences may create major issues in transferring the humorous effects into the TL. The audience needs to be familiar with the source language culture to comprehend the jokes. The study of humor translation from Indonesian to English is rarely conducted. Therefore, the result of this study contributes new insight into the field of humor translation. Keywords Humor, Subtitling, Stand-up Comedy Abstrak Penerjemahan humor memiliki tantangan tersendiri karena seringkali mengandung unsur-unsur budaya tertentu. Penelitian ini menganalisis jenis-jenis humor dan strategi yang digunakan dalam menerjemahkan humor di video Stand Up Comedy Raditya Dika 2019. Penelitian ini bertujuan untuk mengetahui apakah efek humor bisa dipertahankan dalam terjemahan Bahasa Inggris. Penelitian ini bersifat deskriptif kualitatif. Unsur-unsur humor dikategorikan berdasarkan kategori humor menurut Raphaelson-West 1989. Strategi penerjemahan takarir dianalisis menggunakan teori oleh Gottlieb 1992. Hasil penelitian menunjukkan ada tiga jenis humor yang ditemukan dalam data, yaitu humor budaya, humor universal, dan humor linguistik. Strategi penerjemahan takarir yang digunakan dalam menerjemahkan humor adalah transfer, ekspansi, dan parafrasa. Hasil penelitian ini menunjukkan bahwa humor universal bisa dengan diterjemahkan ke dalam bahasa lain tanpa kendala berarti karena tidak mengandung unsur-unsur budaya yang spesifik. Namun, perbedaan budaya dan linguistik dapat menciptakan tantangan besar dalam menyampaikan efek humor ke bahasa sasaran. Penonton harus memiliki pengetahuan tentang budaya bahasa sumber untuk memahami humor tersebut. Penelitian tentang penerjemahan humor dari bahasa Indonesia ke bahasa Inggris jarang dilakukan. Oleh karena itu, hasil penelitian ini memberikan perspektif baru pada bidang penerjemahan humor. Kata kunci Humor, Penerjemahan Takarir, Komedi Tunggal 1. INTRODUCTION Any translator who has ever tried to translate humor will understand how challenging it is to produce the same humorous effect in the target language TL. This is due to the fact that humor is often culture-specific. Something hilarious in one culture might not be considered funny in another. The recipients need to be knowledgeable regarding the people, events, lifestyle, values, and customs of the source culture to understand the humor context Chiaro, 2017. Moreover, translating humor poses another challenge since it often plays with linguistic forms such as wordplay or puns. If the linguistic humor does not have an equivalent in the TL, Prosiding Seminar Nasional Linguistik dan Sastra SEMANTIKS 2021 ISBN 978-623-94874-1-6 âProspek Pengembangan Linguistik dan Kebijakan Bahasa di Era Kenormalan Baruâ 60 the translator usually has no option but to reduce or leave out the humorous elements Zolczer, 2016. As in the case of translating humor in subtitling, the challenges will be added by the constraints of this mode of audiovisual translation. According to Hatim and Mason 1997, there are four main constraints in subtitling. The first one is the shift in mode from speech to written text. As a result, certain speech features may not be represented in the subtitle. The second constraint is physical limitations such as the available space and display time for the subtitle to appear on the screen. The third one is source text reduction as a consequence of the first and the second constraint. Finally, there is a requirement to match the subtitle with the visual image on the screen, which creates an additional constraint. When it comes to humor subtitling, if the translator manages to overcome all of the limitations with a good subtitle, whether the humorous effects are preserved or lost in the subtitle is another problem Spanakaki, 2007. Gottlieb 1992 states that in assessing the quality of subtitling, the rendering of each verbal element must be analyzed in regard to its semantic and stylistic values. He proposed ten subtitling strategies as follows 1 expansion, 2 paraphrase, 3 transfer, 4 imitation, 5 transcription, 6 dislocation, 7 condensation, 8 decimation, 9 deletion, and 10 resignation. These strategies can be found in the translation of different genres, including humor translation. Humor can be classified into different types based on various perspectives Kianbakht, 2015. Several scholars have categorized humor into specific types. Raphaelson-West 1989 divided humor into three categories 1 linguistic humor, such as puns, 2 cultural humor, such as ethnic jokes, 3 universal humor, such as the unexpected, unusual response. She stated that by following the above order, the jokes are respectively more challenging to translate. The study conducted by Sukerti and Basthomi 2016 analyzed the strategies employed in subtitling the American TV series Friends. It examined whether the strategies applied by the translator were able to preserve the humorous effect intended by the original humor. The research has found that literal translation is the most frequently used strategy, resulting in a less humorous effect in the TL. The researchers also concluded that humor is not accepted in the same way across cultures, and linguistic differences create a significant obstacle in finding the equivalent and the laughing matter in the TL. Giusti and Budiharjo 2015 have also conducted research that focuses on analyzing joke translation in the movie Date Night and explaining how the translation techniques affect the translation quality in terms of accuracy and acceptability. The analysis shows that 66 data were translated using a combination of two to six techniques, and 13 data were translated using single techniques. The technique that produces the largest number of accurate translations is transfer, while decimation produces the largest number of less accurate translations. Based on the result, the translator has successfully translated most of the jokes. However, less acceptable translation results from the use of uncommon terminologies, unnatural expressions, inappropriate dictions, and incomplete punctuation marks. Another research related to humor translation was conducted by Nufus 2014. The study aims at identifying the types of humor translation and their acceptability in the TL. The result shows that cultural humor is found the most in the data, and the translation is acceptable. The writer also stated that cultural differences might influence the acceptability of cultural humor translation. In addition, less information about source language SL culture may cause errors in translating the cultural humor. There are two main differences between the current research and the research explained above. Firstly, the previous study aimed to find out how humorous utterances were translated Prosiding Seminar Nasional Linguistik dan Sastra SEMANTIKS 2021 ISBN 978-623-94874-1-6 âProspek Pengembangan Linguistik dan Kebijakan Bahasa di Era Kenormalan Baruâ 61 from English into Indonesian. In contrast, the current research aims at analyzing humor translation from a different point of view, that is, how Indonesian humor is translated into English. Secondly, instead of using movies or tv series as the data source, the current research analyzes the data from an Indonesian stand-up comedy video. Stand-up comedy is a type of joke performance that is generally delivered by a solo performer called a comic. The comic usually stands on a stage and speaks directly to the audience Fitri et al., 2018. Even though stand-up comedy is delivered in a humorous mood of interaction, this does not mean that the materials conveyed by the comic are not serious Wijana, 2016. In many cases, comic often uses stand-up comedy as a medium for social critics and persuasion. The joke materials in stand-up comedy can provoke the audience to think critically without losing the sense of its humor Badara, 2018. Stand-up comedy in Indonesia started booming when Metro TV first broadcasted the show in 2011. In the present day, stand-up comedy is very popular among Indonesian youth. The videos of the performances are usually uploaded to online video platforms like YouTube, which attract many viewers. There are several influential comics in the development of stand-up comedy in Indonesia; one of them is Raditya Dika. He is one of the founders of a comedy community called Stand Up Comedy Indonesia Noftriana et al., 2014. His YouTube channel has more than nine million subscribers, making it one of Indonesiaâs most subscribed YouTube channels. Based on the background, this research aims to find out the types of humor and the subtitling strategies applied in translating humor in the video Stand Up Comedy Raditya Dika SUCRD 2019. The researcher is interested in analyzing how Indonesian humor is translated into English and whether the strategies applied are successful in preserving the humorous effect in the TL. Since the research in humor subtitling from Indonesian to English is rarely conducted, this research offers a new perspective in the field of humor translation. 2. RESEARCH METHOD This study is descriptive qualitative research. Creswell 2014 stated that âqualitative research is a means for exploring and understanding the meaning individuals or groups ascribe to a social or human problemâ. The research process involves emerging questions and procedures, collecting data, analyzing the data, and making interpretations of the meaning of the data. The data of this study is the humorous utterances from the video Stand Up Comedy Raditya Dika SUCRD 2019 and its English subtitles. The data source was obtained from Raditya Dikaâs YouTube channel. The video was uploaded on 12 January 2019 and viewed more than 33 million times in May 2021. The video was chosen as the data source since it is one of the most viewed stand-up comedy videos in Indonesia. There are three steps in collecting and analyzing the data. In the first step, the researcher observed all the utterances and identified the humorous elements in the video Stand Up Comedy Raditya Dika SUCRD 2019. The second step was transcribing the monologue performed by the comic and its corresponding subtitles in English. The last step was data analysis. The humorous elements were categorized based on the humor category by Raphaelson-West 1989. For the analysis of the subtitling, the researcher applied the types of subtitling strategies based on a framework proposed by Gottlieb 1992. 3. FINDINGS AND DISCUSSION The findings show that there are three types of humor found in Stand Up Comedy Raditya Dika SUCRD 2019. There are cultural humor, universal humor, and linguistic humor. The subtitling strategies applied in translating humorous utterances are transfer, expansion, and paraphrase. In subtitling cultural and linguistic humor, the translator mostly applied expansion Prosiding Seminar Nasional Linguistik dan Sastra SEMANTIKS 2021 ISBN 978-623-94874-1-6 âProspek Pengembangan Linguistik dan Kebijakan Bahasa di Era Kenormalan Baruâ 62 and paraphrase strategies. In the subtitling of universal humor, transfer strategy is frequently applied. Datum 1 SL Udah tua banget gue. Udah, nonton tv juga udah males ganti channel. Dulu masih pake... Apa ya kalo lo misalnya nonton tv, remotenya ga ada, ya kan. Lo berdiri kan, berdiri, nyari remote. Sekarang remotenya ga ada gimana caranya kaki gue nyampe? TL I really am old. And now I canât be bothered to change the channel on TV. I used to... Letâs say when youâre watching TV, you donât have the remote with you. So you stand up and find the remote. Nowadays, if I canât find the remote, I think of ways for my foot to reach the TV. Dika, 2019, 000220-000237 In the above situation, Raditya Dika shared his experience of getting old, which made him not as energetic as when he was younger. The humorous element was in the part when he said that he was too lazy to get up and find the remote and thought about how his foot could reach the TV instead. The comedy bit falls under the category of universal humor because the problems of getting old are experienced by people from any culture. Therefore, people from different cultural backgrounds could also relate to this joke. The translator applied transfer strategy since the source utterance is translated literally. The strategy is suitable with the context since the discourse is neutral. Datum 2 SL Ini situasinya pas gue lagi lamaran nih. Selesai lamaran ada wartawan. Mas Radit kalo misalnya punya anak, mau punya anak berapa? Gue bilang saya pengen punya anak sebelas. Biar kayak Gen Halilintar. Becanda, becanda. Ya kan sekarang banyak anak banyak Adsense kan. TL It was during my engagement party. After the party, there were reporters. âRadit, how many children do you want to have?â I said I wanted to have 11 children. So I can be like Gen Halilintar famous family of Indonesian YouTubers. Just kidding. Nowadays, the more children you have, the more Adsense you get. Dika, 2019, 000407-000423 Datum 2 is an example of cultural humor since it has culture-specific references. In order to understand the joke, the audience needs to be familiar with the Gen Halilintar family. The family members have their own YouTube channels, which have millions of subscribers. The funny bit comes from the comicâs statement, âthe more children you have, the more Adsense you get,â which refers to an old Indonesian saying, âbanyak anak banyak rejekiâ which means âthe more children you have, the more fortune you getâ. However, the comic plays with the saying to refer that YouTube Adsense is a source of wealth for the Gen Halilintar family. The translator applied expansion strategy by adding an explanation about Gen Halilintar in the Prosiding Seminar Nasional Linguistik dan Sastra SEMANTIKS 2021 ISBN 978-623-94874-1-6 âProspek Pengembangan Linguistik dan Kebijakan Bahasa di Era Kenormalan Baruâ 63 brackets. However, even though there is an explanation of the context, if the audience is not familiar with Gen Halilintar, the intended humorous effect will not be well-comprehended. Datum 3 SL Udah gitu fansnya Gen Halilintar juga sebel sama gue. Maksudnya gue kan menghargai keluarga mereka. Gue pingin seperti kalian⊠punya banyak Adsense... Bisa jalan ke mana-mana, ya kan? Pengen, gue pengen banget punya bayi lahir dari istri gue... Trus langsung teriak asiap! Kan gue juga... Gue juga pengen gitu. TL And then fans of Gen Halilintar also send me hate. I meant that I respect their family. I want to be like them, having a lot of Adsense... Traveling around the world, right? I do want to have a baby with my wife... Who would shout out hello! imitating a Halilintar member I would love that. Dika, 2019, 000512-000534 Datum 3 is another case of culture-based humor. The comic is imitating a catchphrase, âasiapâ which is made popular by Atta Halilintar. The catchphrase stems from the Indonesian word âsiapâ which means âreadyâ. The audience can comprehend the joke if they are familiar with the catchphrase, how it is used, and who made the term famous. There is additional information in the brackets to explain the catchphrase. However, the humorous effect of the catchphrase âasiapâ is not transferred well into the TL since the translator translated it into a general expression âhelloâ. This strategy can be categorized as paraphrase since the meaning of the SL term is altered. Datum 4 SL Gue kan di industri film ya... Gue selalu minta makeup artist banci karena lucu aja ada mereka. Nanti mereka berantem sama banci yang lain, ya kan? Kemaren kok lo gitu sih neng? Segala macem gitu. Seru ngeliatinnya, kadang bisa dikagetin. Mereka pada latah kan biasanya. âDor!â âAyam ayam ayam!â Gitu kan. TL I work in the film industry... And I always ask for makeup artists who are sissies because itâs just fun having them around. They would fight with each other... âSis, why did you do that?â and stuff. Itâs fun to watch. Sometimes we try to scare them because they get scared easily. âBoo!â âOh boy, oh boy, oh boy!â Right? Dika, 2019, 000711-000729 Prosiding Seminar Nasional Linguistik dan Sastra SEMANTIKS 2021 ISBN 978-623-94874-1-6 âProspek Pengembangan Linguistik dan Kebijakan Bahasa di Era Kenormalan Baruâ 64 Datum 4 represents cultural humor. The comic shared his experience with transgender people. He stated that he enjoys their presence since they are fun to be around. The comic made the joke about how transgender people usually react when they are startled. They usually exclaim âAyam, ayam, ayam!â which literally means âchicken, chicken, chickenâ. The translator applied paraphrase strategy by translating the exclamation into âOh boy, oh boy, oh boy!â which sounds more natural in the TL. Datum 5 SL Tapi gue bilang ke semua orang. Gue bilang kalo gue mo ngomongin mereka. Ke Young Lex. Young Lex abis banget tuh di stand up gue kemaren, di SUCRD. Tapi gue foto tempatnya, gue kasih liat. Gue punya Line dia, gue fotoin tempatnya. Gue kasih liat, ini micnya, ini buku materinya, ini tempatnya, gue kirim semua ke dia. Gue minta izin sama dia, gue bilang... âYoung...â Young Lex kan? Ya dipanggilnya apa dong? Young, dong? TL But I actually tell people before I talk about them. For example, Young Lex, who I roasted in my previous SUCRD. I showed him the place. I have his LINE, so I took a picture of the place. I showed him the mic, my notes, the place, I sent it all to him. I asked for his permission. I said... âYoung...â sounds like âYangâ or âSayangâ, Indonesian for âHoneyâ or âDarlingâ His name is Young Lex, right? What else should I call him? Young, right? Dika, 2019, 001420-001449 The datum above can be categorized as linguistic humor since the comic plays with two words that have the same sound, âYoungâ and âYangâ. âYoungâ refers to an Indonesian rapper named Young Lex, and âYangâ is the short version of the Indonesian word âSayangâ which means âHoneyâ or âDarlingâ. The humorous effect came from the part when the comic called Young Lex âYoungâ which sounds like âYangâ. It sounds funny to the audience since both the comic and Young Lex are male. The translator explained this joke by applying expansion strategy in the form of additional information in the brackets. However, the foreign audience might still not comprehend this joke if they are not familiar with Young Lex and the word âsayangâ in the Indonesian language. Datum 6 SL Berita di infotainment yang keluar... Lamaran Raditya Dika membuktikan... ...bahwa cowok humoris mengalahkan cowok ganteng. Berarti kan gue jelek ya? TL The news that came out... Raditya Dikaâs engagement proves that... ...funny guys can beat handsome guys. That means Iâm ugly, right? Dika, 2019, 002738-002750 Prosiding Seminar Nasional Linguistik dan Sastra SEMANTIKS 2021 ISBN 978-623-94874-1-6 âProspek Pengembangan Linguistik dan Kebijakan Bahasa di Era Kenormalan Baruâ 65 The comedy bit shown in datum 6 is another case of universal humor since it does not contain specific cultural references. The humorous effect is produced by the comicâs conclusion regarding the headline about him. The comic stated that the headline made fun of him by implicitly saying that he is funny but not handsome. The translator applied transfer strategy by translating the SL adequately. The audience can understand this joke without having specific cultural knowledge. Datum 7 SL Kita nyobain makanannya satu-satu dan gue ga tau lo kayak gini juga apa engga ya karena ternyata mereka menilai nikahan dari makanannya. Dan itu lazim ternyata. Jadi mereka nyobain, gue inget banget nih, makan siomay. âIh siomaynya ga enak. Pasti ikan sapu-sapu.â Ini kawinan orang! Lo dateng sukur kalo diundang, kenapa lo hina-hina? Wah gila gue setres banget gue liat, ini kawinan gue gimana nih. Mana emang gue mau pake ikan sapu-sapu lagi. Biar murah kan. TL We tried each menu there, and I donât know if this applies to you, but people judge a wedding from its food. And that is a normal thing to do. So they tried everything. I remember we were trying the siomay. âUgh, this siomay is terrible. Must be made from catfish.â This is someoneâs wedding! Be thankful that youâre invited. Why are you hating on them? I was so stressed seeing all of this, thinking about my wedding. Especially I was planning to use catfish, too. To make it cheaper. Dika, 2019, 003554-003627 Datum 7 is another representation of universal humor. The comic told the audience about his experience attending his friendâs wedding and how the guests criticized the food harshly because it did not taste good. The funny part comes from the comicâs statement at the end of the bit. People would think that the comic would avoid using catfish for the menu in his wedding so that the guests would not criticize him. Instead, he stated that he was planning to use catfish to make the food cost lower. This type of unexpected response can be categorized as universal humor. In this case, transfer strategy is used by the translator. There is no significant alteration in the English subtitle. Datum 8 SL Ini dokter yang ngebidanin, bukan itu apa ya istilahnya ya, dia obgyn-nya nyokap gue. âMasi inget saya ga?â Gue bilang. âSiapa ya?â Dia bilang. âSaya dulu lahir dokter bantuin.â âOh ya, ya. Agak beda ya.â âIya dokter. Emang beda. Saya agak berubah sih. Dulu kayak jenglot gitu sekarang kayak...â TL This doctor was the one who helped my mother. He was my momâs obgyn. Prosiding Seminar Nasional Linguistik dan Sastra SEMANTIKS 2021 ISBN 978-623-94874-1-6 âProspek Pengembangan Linguistik dan Kebijakan Bahasa di Era Kenormalan Baruâ 66 âDo you remember me?â I asked. âWho are you?â he replied. âYou helped with my birth.â âOh, right.â âYou look different.â âYes, doctor. I do. I have changed. I was so tiny back then, but now...â Dika, 2019, 005505-005538 There is a cultural reference that the audience needs to know to understand the humor in datum 8. The funny bit came from the part when the comic said that he looked like a âjenglotâ when he was a baby. âJenglotâ is a deformed humanoid creature in Indonesian mythology. It is tiny and has a scary appearance. The translator translated the part âDulu kayak jenglotâ into âI was so tiny back thenâ which does not explain well how a âjenglotâ looks. As a result, the humorous element is lost in the TL. The subtitling strategy applied in this case is paraphrase since there is an altered expression in the translation. Datum 9 SL âAyo kita cek dulu,â gitu kan. âSilakan duduk,â gitu. Dia gandeng gue, âBukan saya yang hamil dok, saya buncit doang dok.â TL âLetâs check,â he said. âHave a seat.â He took my hand. âIâm not the one who is pregnant. Iâm just fat.â Dika, 2019, 005637-005646 Datum 9 can be comprehended easily by the audience from any cultural background. The joke stems from the fact that the comic has a big belly which makes him look like a pregnant woman. This joke can be categorized as universal humor. The translator applied transfer strategy in translating the SL utterance since it was translated completely. Datum 10 SL Apapun yang dia mau, gue turutin. Gue suami siaga. Apapun yang dia mau. âSayang aku ngidam, aku pengen yakiniku.â âSiap sayang!â Pergi, ambil hape. âGo-Food!â TL Whatever she wants, I would be there. I was on standby. Whatever she wants. âHoney, I want to eat yakiniku.â âI got you!â So I would leave and get my phone. âUse Go-Food!â like Uber-Eats Dika, 2019, 005905-005646 In the datum above, the comic stated that he was ready to get anything for his pregnant wife. The humor came from the unexpected part when he mentioned that all he had to do was Prosiding Seminar Nasional Linguistik dan Sastra SEMANTIKS 2021 ISBN 978-623-94874-1-6 âProspek Pengembangan Linguistik dan Kebijakan Bahasa di Era Kenormalan Baruâ 67 ordering food online from Go-Food instead of getting the food himself. The humor can be categorized as cultural since Go-Food is a service providing food delivery in Indonesia. In order to understand the joke, the audience needs to be familiar with Go-Food and what kind of service it provides. The translator did a good job explaining Go-Food by comparing it to Uber-Eats, a similar service which is popular in other countries. In this case, the translator applied expansion strategy by providing extra information in the brackets. 4. CONCLUSION AND SUGGESTION There are three types of humor found in Stand Up Comedy Raditya Dika SUCRD 2019. There are cultural humor, universal humor, and linguistic humor. Different subtitling strategies have been applied to transfer the humorous elements into the TL. The identified strategies are transfer, expansion, and paraphrase. The findings of the study indicated that universal humor could be translated into other languages without significant challenges since it does not include specific cultural references. People from any cultural background could relate to the joke and understand the funny bit. However, linguistic and cultural differences may create major challenges in transferring the humorous effects into the TL. Even the use of expansion strategy by providing additional information might not help very much. The audience needs to be familiar with the SL culture in order to comprehend the jokes. Indonesian humor is a great medium to introduce Indonesian culture to other countries. An adequate translation or subtitling is required to transfer the message or the intended effect. This research is a small part of research on Indonesian-English humor subtitling in the field of audiovisual translation. Therefore, this topic can be developed further by analyzing the translation of Indonesian humor from other sources, such as movies or TV shows. REFERENCES Badara, A. 2018. Stand-up Comedy Humor Discourse in Local Perspective in Indonesia. International Journal of Applied Linguistics and English Literature, 77, 222-228. doi Chiaro, D. 2017. Humor and Translation. In The Routledge Handbook of Language and Humor pp. 414â429. New York Routledge. Creswell, J. W. 2014. Research Design Qualitative, Quantitative, and Mixed Method Approaches 4th ed.. Los Angeles SAGE Publications. Dika, R. 2019. Stand Up Comedy Raditya Dika SUCRD 2019. Available at Fitri, F., Mahyuni, M., & Sudirman, S. 2018. Schematic of humorous discourse of stand-up comedy in Indonesia. International Journal of Social Sciences and Humanities, 23, 107â116. doi Giusti, N. R., & Budiharjo, B. 2016. An Analysis of Joke Translation in Date Night Movie. Jurnal Bahasa, Sastra dan Studi Amerika, 11, 11-17. Retrieved from Gottlieb, H. 1992. Subtitling A New University Discipline. In C. Dollerup & A. Loddegaard Eds., Teaching Translation and Interpreting pp. 161â170. Amsterdam John Benjamins Publishing Company. Hatim, B., & Mason, I. 1997. The Translator as Communicator. London Routledge. Kianbakht, S. 2015. Humor Translation Revisited The Case of Woody Allenâs âAnnie Hallâ Prosiding Seminar Nasional Linguistik dan Sastra SEMANTIKS 2021 ISBN 978-623-94874-1-6 âProspek Pengembangan Linguistik dan Kebijakan Bahasa di Era Kenormalan Baruâ 68 Subtitled into Persian. International Journal of Comparative Literature and Translation Studies, 34, 1â5. doi Noftriana, E., Ratnadewi, D., & Wijaya, A. 2014. An Analysis of Flouting Maxims to Create Humor in Stand Up Comedy by Raditya Dika. Tell Journal, 22, 37â42. doi Nufus, D. Z. 2020. The Acceptability Humor Translation of English to Indonesian in The Movie Penguins of Madagascar Discover Their Untold Story Thanksgiving. Buletin Al-Turas, 201, 99â116. doi Raphaelson-West, D. S. 1989. On the Feasibility and Strategies of Translating Humour. Meta Journal Des Traducteurs, 341, 128â141. doi Spanakaki, K. 2007. Translating Humor for Subtitling. Translation Journal, 112. Retrieved from Sukerti, G. N. A., & Basthomi, Y. 2016. Laughter after Tears Sitting for American Humors in Indonesian Sofas Subtitling Humors of a TV Serial Friends. Bahasa Dan Seni Jurnal Bahasa, Sastra, Seni Dan Pengajarannya, 442, 188â206. doi Wijana, I. D. P. 2016. Stand Up Comedy Language Play and Its Functions Systemic Functional Linguistic Approach. Journal of Language and Literature, 162, 99â105. doi Zolczer, P. 2016. Translating humour in audiovisual media. European Journal of Humour Research, 41, 76â92. doi ResearchGate has not been able to resolve any citations for this Zahrotun NufusAbtraks Penelitian ini membahas tentang keberterimaan penerjemahan humor. Penelitian ini bertujuan untuk mengidentifikasi jenis penerjemahan humor dan keberterimaan bahasanya. Penelitian ini menggunakan metode deskriptif kualitatif untuk mendapatkan penelitian yang objektif. Adapun instrumen yang digunakan untuk memeroleh data adalah dengan menggunakan intrumen peneliti sendiri sebagai alat pengumpul datanya. Misalnya dengan menonton film yang memiliki subtitle bahasa Inggris dan film yang bersubtitle bahasa Indonesia. Kemudian mengklasifikasi jenis-jenis humor yang sudah ditandai. Selanjutnya peneliti menjelaskannya berdasarkan konsep keberterimaan yang diajukan oleh Nababan, parameter penilaian keberterimaan suatu terjemahan. Temuan dari penelitian ini menunjukkan bahwa ada tiga jenis humor, seperti humor budaya, humor universal, dan humor linguistik. Dari ketiga jenis humor tersebut, jenis humor budaya lebih sering ditemukan atau muncul dalam penerjemahan subtitle film tersebut. - Abstract The research discusses about the acceptability of humor translation. The analysis is aimed to identify the types of humor translation and its acceptability in target language. The researcher uses qualitative descriptive method to get the objective of the research. In order to get the valid data the researcher employs herself to collect the data; by watching the movie both in English and Indonesian version, understanding and marking the humor that appear in the movie, classifying the types of humor and describing the acceptability of humor which is translated from source language into target language base on Nababanâs parameter of acceptability rates assessment theory. Findings of the research show that first, three types of humor are found in the movie Penguins of Madagascar linguistic humor, cultural humor, and universal humor; second, the most frequently types found is cultural humor; third, based on the result of translation version is acceptable. Badara ArisExamining stand-up comedy humor discourse in local perspective in Indonesia is fascinating due to its uniqueness and complexity. This kind of discourse has some specific characteristics in terms of its creation and language use. A qualitative study was conducted with the data source from stand-up comedy records staged in 2016 by the stand-up comedy local community in Kendari, Southeast Sulawesi. The data were reduced to obtain the funniest humor discourse. Furthermore, the data were analyzed based on the creation technique and the construction elements of humor discourse in terms of linguistic and non-linguistic context. The research findings showed that the creation technique and the construction elements of stand-up comedy humor discourse in local perspective in Indonesia were in line with the general concepts and theories of humor discourse creation techniques namely a rhetoric, b tone variation, c irony, d language misunderstanding, e wordplay, f verbal jokes, g sarcasm, h satire, i sexual satire, and j deception. In addition, the results confirmed that the most widely used of creation techniques were rhetoric, wordplay, and deception. The three techniques are more pronounced than other techniques due to the local comics circumscribed public speaking study reported in this paper aims to analyze the possible strategies used in the subtitling of the first five episodes season 1 of Friends to render the episodesâ humorous dialogues. It examines the subtitlerâs strategies in preserving both the semantic and humorous genes of laughter intended by the original humor. The analysis takes into account the internal and external structures of humors both in the target and source language. Choosing a subtitling strategy involves a decisionmaking process where the internal and external factors come into play and, therefore, rendering humors in a contextually bound medium, such as subtitling, does not necessarily work in the TL environment in a consistent manner. The inconsistency highlights the fact that humors, even those considered universal, are not digested in the same manner across cultures. Peter ZolczerThe article investigates humour translation in audiovisual media concentrating on two modes of audiovisual translation dubbing and subtitling. The corpus consists of humorous scenes collected from two popular American situational comedies, namely Friends 1994 and The Big Bang Theory 2007. The analysis is based on the comparison of the humorous scenes in their original English audio track with their dubbed and subtitled Hungarian versions. Only those humorous scenes were selected and analysed in which the humorous load is mediated by language- and/or culture-specific humorous elements. The study focuses on the differences between the scenesâ humorous load in their original, dubbed, and subtitled versions. The methodology of the research is based on Juan JosĂ© MartĂnez-Sierraâs case study âTranslating Audiovisual Humourâ 2009. The results show that in certain cases there is a difference between the humorous load in the dubbed and subtitled versions which can be traced back to the differences between the constraints of dubbing and ChiaroChiaro, D. 2017. Humor and Translation. In The Routledge Handbook of Language and Humor pp. 414-429. New York of humorous discourse of stand-up comedy in IndonesiaF FitriM MahyuniS SudirmanFitri, F., Mahyuni, M., & Sudirman, S. 2018. Schematic of humorous discourse of stand-up comedy in Indonesia. International Journal of Social Sciences and Humanities, 23, 107-116. doi Analysis of Joke Translation in Date Night MovieN R GiustiB BudiharjoGiusti, N. R., & Budiharjo, B. 2016. An Analysis of Joke Translation in Date Night Movie. Jurnal Bahasa, Sastra dan Studi Amerika, 11, 11-17. Retrieved from
Videolainnya: begini gue membuat materi standup comedy..
ï»żPada Maret 24, 2023 Materi Stand Up Comedy Raditya Dika Singkat from Stand Up Comedy Singkat untuk Pemula Setiap orang punya kemampuan tersendiri dalam menyampaikan isi hati dan pikirannya. Tapi, tahukah Anda bahwa ada cara unik dan luar biasa untuk mengekspresikan diri Anda? Stand up comedy adalah salah satu cara terbaik untuk mengekspresikan diri Anda. Namun, sebelum Anda memulai stand up comedy, penting untuk memahami materi yang Anda sampaikan. Berikut kami akan memberikan beberapa materi stand up comedy singkat yang dapat Anda gunakan saat memulai menjadi seorang stand up comedian. 1. Ceritakan tentang diri Anda Materi stand up comedy singkat pertama yang dapat Anda gunakan adalah tentang diri Anda sendiri. Ini adalah materi yang umum digunakan oleh stand up comedian, karena mereka menggunakannya untuk menarik perhatian dan menghibur para audiens. Anda dapat menceritakan tentang pengalaman Anda, masalah yang Anda hadapi, dan banyak lagi. 2. Ceritakan tentang orang lain Materi stand up comedy singkat berikutnya adalah tentang orang lain. Anda dapat menceritakan tentang teman Anda, tetangga Anda, dan bahkan orang yang Anda tidak kenal. Ini adalah cara yang bagus untuk berbicara tentang kehidupan orang lain dan bisa menjadi materi yang menghibur. Anda juga dapat berbicara tentang perbedaan budaya, ras, dan gender. 3. Ceritakan tentang masalah Materi stand up comedy singkat selanjutnya adalah tentang masalah. Anda dapat berbicara tentang masalah sosial, politik, ekonomi, dan banyak lagi. Anda dapat menceritakan tentang masalah yang Anda hadapi, masalah yang dihadapi orang lain, atau masalah yang terjadi di dunia. Ini adalah cara yang bagus untuk menggali lebih dalam tentang topik-topik penting dan dapat menjadi materi yang menghibur. 4. Ceritakan tentang topik populer Materi stand up comedy singkat berikutnya adalah tentang topik populer. Anda dapat berbicara tentang topik-topik yang sedang naik daun seperti film, musik, dan banyak lagi. Anda dapat berbicara tentang film yang baru dirilis, musik yang sedang menjadi hits, dan banyak lagi. 5. Ceritakan tentang komedi Materi stand up comedy singkat terakhir adalah tentang komedi. Anda dapat menceritakan tentang komedi yang Anda sukai, komedi yang Anda tidak sukai, atau bahkan menciptakan komedi Anda sendiri. Ini adalah cara yang bagus untuk berbagi komedi dengan audiens Anda dan menghibur mereka. "Stand up comedy adalah salah satu cara terbaik untuk mengekspresikan diri Anda" menurut Kesimpulannya, materi stand up comedy singkat adalah salah satu cara terbaik untuk mengekspresikan diri Anda. Anda dapat memulai dengan menceritakan tentang diri Anda, orang lain, masalah, topik populer, dan komedi. Dengan menggunakan materi stand up comedy singkat ini, Anda dapat menghibur para audiens dan meraih pujian.
Materistandup comedy tentang Kentut. Jika bosan dengan Raditya Dika, kita bisa coba naskah stand up comedy dodit yang juga gak kalah lucu dan gokil abis. Selain tampang ndeso dan gesekan biola yang jadi andalan di panggung, komika asal Jawa Tengah ini juga terkenal dengan leluconnya yang khas.
Raditya Dika. Foto Munady/kumparanSiapa sangka penulis buku seperti Raditya Dika kini berprofesi sebagai seorang aktor dan sutradara? Bahkan, dia disebut sebagai salah satu stand up comedian terbaik yang dimiliki Tanah Air?Dari tahun ke tahun, wajah pria yang akrab disapa Radit ini kian familiar di beberapa stasiun televisi swasta. Dia juga aktif nge-vlog melalui akun YouTube-nya dengan menghadirkan beberapa nama-nama besar di dunia seperti apa perjalanan Radit hingga dirinya bisa meraih kesuksesan seperti sekarang ini?Raditya Dika. Foto Munady/kumparanSejak kelas 4 SD, sulung dari lima bersaudara ini memang gemar menulis buku harian. Saat Radit duduk di bangku kelas 2 SMA, dia tertarik untuk membuat blog dan mulai berbagi kisah hidupnya sehari-hari lewat blog pribadinya dari iseng, Radit semakin keasyikan menceritakan kegiatannya sehari-hari lewat blog-nya itu. Baik urusan keluarga, sekolah, liburan, dan asmara mendapatkan porsinya masing-masing di blog tersebut. Saat Radit kuliah di Adelaide University di Australia, dia mulai mengarahkan blog-nya tersebut menjadi sebuah sarana komedi. Hasilnya, Radit dengan blog bernama 'Kambing Jantan'-nya itu mampu menginspirasi banyak orang. Bahkan, dia berhasil mendapat penghargaan Indonesian Blog Award di tahun antuasisme pembacanya yang kian meningkat, Radit pun membukukan tulisan yang ada di blog pribadinya dengan judul 'Kambing Jantan Sebuah Catatan Harian Pelajar Bodoh' pada tahun 2005. Sempat mendapat penolakan dari beberapa penerbit, karyanya ini ternyata mampu masuk ke dalam kategori best film Raditya Dika Foto Munady/kumparanTak puas sampai di situ, Radit kembali merilis buku berjudul 'Cinta Brontosaurus', satu tahun setelah 'Kambing Jantan' diluncurkan. Buku ini berisi kumpulan cerita pendek yang berkaitan dengan kisah-kisah konyol yang pernah dialami Radit. Bahkan, kisah asmara kucing Persia-nya juga dapat kita nikmati di dalam buku kian produktif di tahun 2007 dan 2008. Hal ini dibuktikan dengan munculnya dua karyanya yang berjudul 'Radikus Makankakus Bukan Binatang Biasa' dan 'Babi Ngesot Datang Tak Diundang Pulang Tak Berkutang'. Dalam dua karyanya ini, pembaca masih disuguhkan berbagai pengalaman konyol Radit yang dibalut dengan komedi juga dikenal sebagai sosok yang sangat aktif di dunia maya. Hal ini dapat dilihat dari postingan-postingan-nya di akun Twitter dan blog-nya. Bahkan, blog pribadinya mampu menginspirasi beberapa blogger baru yang mencoba terjun dalam bidang yang sama. Dengan beberapa rentetan pencapaiannya tersebut, Radit berhasil mendapatkan penghargaan The Online Inspiring Award' dari salah satu provider di Indonesia pada tahun tahun yang sama, 'Kambing Jantan' diangkat ke layar lebar. Cerita Radit mampu menggelitik Rudi Soedjarwo untuk mengangkat karyanya tersebut menjadi sebuah film. Tak hanya itu, 'Kambing Jantan' juga sempat hadir dalam versi komik. Dalam proyek ini, Radit mengggandeng Adriano Rudiman sebagai ilustrator tahun 2010 hingga 2011, muncul lagi dua buah karya Radit lewat buku berjudul 'Marmut Merah Jambu', dan 'Manusia Setengah Salmon'. Adapun pada tahun 2015, 'Koala Kumal' menyusul dengan kisah 'patah hati terberat' yang sempat dia 2013, beberapa buku Radit yang lainnya turut diangkat ke layar lebar. Bahkan beberapa film dia garap sendiri, seperti film 'Hangout' yang rilis di tahun 2016. Film tersebut mampu meraih jumlah penonton terbanyak hingga 2,6 juta penonton. Lalu, film 'The Guys' yang tayang pada April tahun lalu yang menjadi film terakhir Radit sebelum vakum dari dunia film."Saya mau istirahat dulu mungkin sampai tahun depan. Pengin main kucing saja, baru punya kucing baru," ujar Dika sembari tertawa, ketika ditemui di kawasan Kebon Sirih, Jakarta Pusat, beberapa waktu hanya menjadi sutradara, Radit juga dikenal sebagai seorang komika. Dia disebut sebagai sosok senior dalam ranah 'komedi tunggal' tersebut. Bahkan, Radit telah dipercaya menjadi juri 'Stand Up Comedy Indonesia', sebuah ajang pencarian bakat komika terbesar di tak mau melupakan dari mana dia berasal, Radit kembali merilis buku terbaru berjudul 'Ubur-ubur Lembur'. Buku tersebut siap menyapa para penggemar kisah-kisah konyol Radit pada hari ini, Kamis 1/2.Seperti dikutip dari laman situs resmi penerbit buku tersebut, GagasMedia, 'Ubur-ubur Lembur' bercerita tentang pengalaman Radit yang belajar hidup dari apa yang dia cintai, sambil menemukan hal remeh untuk ditertawakan di sepanjang rentetan kariernya tersebut, tidak berlebihan jika cowok 33 tahun yang telah bertunangan dengan kekasihnya, Anissa Aziza, pada Desember tahun lalu ini disebut-sebut sebagai salah satu seniman yang paling produktif di era milenial ini.
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materi stand up comedy raditya dika singkat
